Painting as an act of layering, from the support (stretched canvas, wooden panel etc) via choice of primer, ground, linear marks and patches, underpainting, surface or visible layers which are shifted, erased, clarified, overlapped, focussed again and again until the image is finally achieved.
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Interview 2010 – “I never thought of myself as a geometric painter, but I have always thought of myself as an improviser . The geometry in my work has increased over the years and I’m not completely sure why this is so. It isn’t by conscious intent I can assure you, Improvisation however is essential to my work. I want my ideas to be located at the tip of my brush. I want my materials to talk back to me. I want to be surprised.”
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